Al Mann - When Thoughts Collide.pdf

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Al MANN
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144
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01718
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An III
Mann
Exclu
s
i v
e
/'
~
This is
t
h e des
i gn-dup lica tion
ef
f ec t t
hat
wor
k s
au
tomatically .
The Audience
do
e s
practical
ly
ever
y
t
hing f
or y
ou
!
EFFECT
l
M
entalist s
hows
hi
s
audi
enc e
a
book of man
y
de
signs
.
He s
tat es that
all the
d
e s
i
gns a
re diffe
rent e
x
cept
one
l
He
wi
ll not tell t
h
e
aud
ience w
i ch on
e
of the
des
i gns is
dup
l i cated
h
i
n t
he
bo
ok
.
But
he
is go
ing t
o have
the audi
ence
f
i n
d
it
by
Sublimi
nal
Percept
ion'l
Two pa
ge s
i
n
the b
ook
are cho
sen
at random
by
t
wo
pers
ons
i
n
t
h e
audience who
a
r e widely
separat
ed
.
The
ch
os en
hen the
s
lat es are c
ompar
e
d
t
hey
de
si gn s
are drawn on t
wo
s
lat
es
.
W
s
ho w identi
ca l desi
gns
!
You hav
e
r
ec ei
v
ed
a book
of
design
s
that is ungimmi
ck ed
.
All
the
desi
gns
a
re
different
.
There i
s
n
o
apparent f
orcing
.
Spectator
s
do
have a
fr
e e
choi
c e o
f any design and t
h
e
d
esign c
hos en
i
s the
one
t
hat is a
ppar en t ly dup
licated .
The eff
e ct can
be
r
ep eated
bu
t the des
ign
will a
l ways
be a
di
f f erent on
e.
The
Secret
and
Pr
es en t a t ion
I
You have
r
ec
e i v
ed
a hard
cov
er
book with
d
es i gns
on
one
s
ide of the
page
on
l y
.
The
pa
ges a
re
not numbered
.
Do no
t
number
t
h e
pa
ge s
.
The book
has n
o
markings on the
i
ou
tside
so t
hat it
can
be turned ov
er
w
thou t any-
on
e
be
i~g
the wi
s er
.
You
m
t pla
c e
your
own
secret
us
mar
k on
t
he
top
-
f
ron t
of
t
h e
bo
ok
.
Any
a
i
de or end
of t
h e
bo
ok
may be
so ma
rked
,
but p'referably
the
4.'lj"..1
des
igns
should be on
t
h e ri
ght
hand page
when
the
~
book
i
s
opened
.
The
left
-hand
pages
w
ill be blank
.
Th
p.
~
olu ti
on
i
s a
mathematical on
e
but
i
t
is
~
Fi
g .
well hi
dden
and t
he
mi
sdir ection
is per
f
ect.
1.
Page
You will ne
ed a boo
k mark that
mea
s ur es about
2
~
by
7
i
n
ch e s
.
This bo
ok
mark i6 used f
or cho
o s i n g
t
h e
pa
g e
.
It must
a
l ways
be stuck
in
to
t
he
long edg
os
of the
page as s
ho wn i
n
Fi
g
.
1
.
During t
he
pre
sentati on you
ca
n have
se
veral members of the
audienc
e
ins
ert
the
bo
ok
mark to
s
ho w t
hat each t
ime a differ
ent
des
i gn
i
s
c
ho s en .
Once the
d
es
i
gn
i
s cho
sen
, proc
ee d as fol
lows
I
-
-
2
WHEN
THOUGHTS COLLIDE
corrt
, . ..
AN AL MANN 'EXCLUSIVE
Say
that a per
son
on your f
ar
left of the audience has chosen
a d
esign
.
He
or she is given a
s
l a t e and a piece of chalk and is
told t
o
draw the design and to turn t
he
s
l a t e fa
c e
do
wn
on the lap
.
Thi
s
person i
s
then asked to callout
a
number between 1 and 9.
The
pe
r son i
s gi
v en the book and
t
ol d to please turn over pages
f
r om
right to
left
t
o
the chosen number
.
Say
it
wa
s
6
.
The person
the d
esign s are di
f fe r en t a
s
she turns the pages
.
You m
t watch to make
sur
e that the correct number of pages
us
i
s turned ove
r
.
The
bo
ok
mark is then placed in t
he
new location
,
the last page
turned.
The book
i
s
t
aken f
rom the person
a
nd held in the hand over
your
head
as s
hown in Fi
g
.
1
,
but the book
i
s
turned end for
en
d
on t
he wa
y to anoth
er person about the center of the audience.
Thi
s
s
econd
person i
s
asked to callout a
number
between 10
and
15.
This person is gi
ven the
book and
t
old
t
o
turn
over
pa
ge s
one a
t
a time
t
o the
number
cal
l ed
,
say it was 1J! And to notice
that all the d
esi gns
are different. The book mark is again plac
ed
on the las
t pa
ge
turn
ed an
d the book is closed and taken from the
pe
rson
.
Again
t
he
book i
s
handled in the same
way
and it i
s
again
t
u r ne d
end fo
r end.
Everyt
i me a
number i
s
chos
en
the performer states
,
"Pl
ease
remember
t
ha t
thi
s
num
ber
was cho
sen
by y
ou
. "
"It i
s yo
ur fr
ee
cho
ice
! "
You, must
n
ow go
t
o
your f
ar
ri
ght of
the audeinc
e
with the
book
a
nd
a slate
and pi
ec e of chalk
and
a
ppr oa ch a third person
.
Pe
r forme r
states
, "Pl
ea s e remember that the numbers were chosen
by t
he
au
di en ce
.
The first person chose number 6 and the s
econd
pe
rson
ch
ose nu
m
ber
1). The difference between the t
wo
cho
sen
num-
bers
is 7
. And a
gain
I say it wa
s
the choice of the audience and
no
t
mi
n e!
"
This
third
per
s on i
s
given the book and instructed to
,
"P
l eas e
turn ove
r
7
mor
e
pa
ge s,
fr
om
ri
ght
t
o
left.
"
(Please
n
ote
l
The pages are always turned from
r
i ght to l
eft
gi
v ing the
impress
i on that the last page arrived at
wa
s
totally
unknown
fr
om
the
begi
nni ng . )
When t
he l
a st page
i
s
turned
,
the de
sign
on this page i
s
dr
a wn on the slate by
the person and it will be the
exac
t
de
s ign
t
ha t was drawn on the fi
rs t
slate
.
Pe
r f ormer
now co
l lects
the
slates and sho
ws t
hem
t
o be
id
enti ca l
!
THE FINE PO
INTS;
I
t i
s bes
t to mark the book s
ecret ly
at t
he
ark
.
bo
ttom
of the spine
.
Fi
nger
-
naii poli
sh
make
s
a
goo
d durable m
When
turning
the book
en
d-for -e nd , it
can
be done in
a
m
ost
natural
way
.
Simply
t
ake
the bo
ok
fr
om
the person
s
o that the top
of
t
he
boo
k will
no
w be
c ome y
our bottom a
s
you ho
l d
it
close
t
o
your body
. When t
he nex
t pers
on is a
pproac he d the
book
i
s
given to
h
im
so 1ts ne
w
bo
ttom becomes hi
s
bottom
.
This pro
c e edure
i
s
r
e-
peated a second time s
o that
a
t the end the
bo
ok end
s
up correctly
as
i
t
w
s at the beginni
ng
.
a
i
s
instruct
ed
to turn over six pa
ges
and to please no
tice
that all
J
WHEN THOUGHTS
COLLIDE
corr
t
.
AN ilL Mll
NN
'EX
CLUS I VE
FINE POINTS
I
Af
t er
the
eff
ect , your de
s i gn
book
can of course
be
,
exami
ned
but do
not all
ow anyone
to
examine
it
mor
e t
han j
ust
a
touch
.
I have found ou
t
t
hrough
long exper
ience
t
hat
persons f
rom
the audience
w
o
li
ke
t
o examine magician's
props
are ho
rrible
h
creatures
.
In t
he ir unaati
able and gree
dy
ques
t f
or a solut
ion
they
wi
l l tear your
pr
op s apart looki
ng f
or a gimmick and do no
t
care
how
much damage they do
.
A
person may
be a
l l owed
t
o
l
ea f
through your book bu
t
once
.
Then
the
b
ook i
s
retri
eved and
put
a
way
.
This effect has room for many
patt
er
theme
s
.
You could
t
a l k
about Subliminal Perception and the
i
m s s i on s made on the sub-
pre
conscious mind as the
book
of des
igns
is leafe
d through
befo
r e t
h e
audi~nce
.
Or you can s
peak
about
t
h e Sync
hron ici ty
of Coi
nci dence
or jus
t
plain Thought Cont
rol
!
The final e
ffect t
ha t
you
are
tryin
g to create
in
t
he
mi
nds
of your audience is that a design was chosen
,
apparently through
the gui
de
of some unknown force
,
t
hen
other members of t
he
audience
kno
wi ng i
n
t
h e ir subconscious minds
where the de
sign
'
s duplicate is
,
have c
hosen
the correct numbers to arrive farther
on in the
book a
t
the co
r rect
duplicate
!
DEFINITIONS
I
SUBLIMINAL PERCEPTION
I
Sensations beneat
h
the threshold
of consciousness too feeble
t
o be individually recognized
.
The SYCHRONICITY OF COINCIDENCE
I
Simultaneous occur
ranc es
beyond
'
c han c e' or any kno
wn phys
i ca l agency
.
THOUGHT CONTROL known as
"
Tel ur gyl
"
of telepathic impressions.
The conveyance
Have
fun

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