The_Beatles_Guitar_-_Hal_Leonard__Tab_(1).pdf

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THE
GUITAR
Editor: JohnCerullo
Music
Associate
Arranger:RayDonato
Music
Morano
Art Direction:Frank
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CORPORAflON
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For all works containedherein
copying,arranging,
adapting,recordingor public performance an infringement copyright
is
Unauthorized
of
I nf r inger s e liableunderthe l aw .
ar
ONTENT
l-
sEcTloN
A
Licks SignatureSong
Melodic That
Ride. . . . . .18
TicketTo
Do
..46
C o me Together...
J ulia.. . . o. . . . . . . . .55
YouCan't That. . .10
Me
Cive
. .
D ayTp per...... ..14
L a d yMa do nn.a . . 2 3 YouNever
ri
Y o ur Mo n e y. . . . . . 5 0
In
.....38
Lucy TheSkyWith
D e a rP rudence
Fi
Bl ackbird.. . . . . . . .42
lFe el ne . . . . . . . . .. 6
Good
Morning
Good
Diamonds
Mo rn ing. .o.. .. ..3 3
Michelle.
sEcfloNll-
A
LiclG signature song
Rhythmic That
From
Help
It Won'tBeLong. . . .85
with A Little
A
BabyYou'reRich
M yF r i en ds. ... .7 6
..
...10 6 N oR e ply. .
Ma n
. . .. 6 8
See
Won't Me. . .60
.
GettingBetter . . . .71 Te1
. . . .94
You
Mewhy
To
Going Lose
. .88 WeCan
HeY
Jude
Worklt Out. .65
You're
T h at G i.r.l... ... .80
Just
I'mHaPPY To
WhyDon'tWeDott
WithYou. .102 tnfne Road
Dance
. .98
l 'mS oTir ed ....9 1
!ll-
sEcTloN
That
Licks
AndMelodic
Rhythmic
A
Signature Song
.
Child . . . . . . .128
.
Goodbve.. .168 Little
Af MyLoving . .132 Hello,
l
. .206
. . . . 1 0 9 PaperbackWriter
H
A ny time AtAl l.....1 5 9 e lp !
Life.. .124
.152
In
Back TheU.s.s.R. HoldMeTight. . . . .176 RunForYour
In
Came Through
She
Have
.144 | Should
can'tBuyMeLove.
Better. . .116 TheBathroom
carryThatweight. .135 Known
W in d ow . . . . . . . . 1 4 9
.120 twill
A
Days Week.
Eight
.179
.
Sh e ' sAW o m a.n . 1 7 2
.197 l'llCryInstead
Rigby
Eleanor
.202
should
Mother
Hole . . . . .192 I'mA Loser. . .
.. ..1 38
Your
.
A
Fixing
.
K nOWo.. .. oo. .. 188
.
G[rl . . . . . . . . . - - - -184I'mLool{ng
You
DaV
Cood Sunshine.141Through
. .. .1 64
.
LOVe.
. . .. 182
Only
Night .112 lt'S
Day'S
A Hard
ALLttlY LOVINC . . . . . .132
.
ANYTIME ALL . . . . . .159
AT
BAtsY
YOU'RE
A
R l c HM A N. ... ....
..106
BACK THEU.S.S.R.. .152
IN
.
BLACKBIRD. . . . . . . . 42
..
CAN'T
BUYME LOVE. . .144
.
CARRY
THAT
WEIGHT. .135
.
coilfrE
ToGETHER. . . . . 46
.
DA TTRI PP ER . . I''''
..
14
D,EAR
PRUDENCE . . . . 38
..
EilGHT
DAYS WEEK. . .120
A
.
E|IEANOR
RICBY . . . . . .197
.
Flfx[NG HOLE . . . . . . .192
A
.
G'ETTINC
BETTER . . . . . 71
.
G,fiRL . . . . . . . . . . . . . .184
".
GOOD
DAYSUNSHINE.
. .141
GOOD
TI,IORNING
G O O D M OR N |N G.....33
fr HARD
DAY'S
NIGHT.. .112
H ll Ei [ Lc o o DB Y E.. . . ..1 69
o,
HllEil.P!. . . . . . . . . . . . .109
..
HEYJUDE. . . . .
o. . ..
o. g g
SHE' ,S AWOM AN .. .1 72
...
TEL LM EWHY. . .. .. ..
94
TICKET RIDE. . . . . . . 1g
TO
WE CANWORK OUT . . 65
IT
WHY DON'T DOIT
WE
lNTHEROA D.. ,. .. .. gg
WITHA LITTLE
HELP
FROM FRIENDS. 76
MY
.
frs oNLY
LoVE. . . . . . .192
YOUCAN'TDOTHAT.. . . 10
.
ITWON'TB ELO NG . . . . . 85
YOUNEVER
GIVE
J U LIA..... .. . .. .. ... 55
MEY OURMONE Y.. ..5 0
LAD YM A DONNA ......2 3
YOUWON' TSEE ME. ... 60
LITTLE
CHILD . . . . . . . .129 YOU'RE
.
COING
TO
LUCY THESKY
IN
LOS ETHAT GI RL. .. ..8 0
WIT HDIA M ONDS . 2 6
...
YOUR
MOTHER
MIC HE LL E. . . o. . . . . . 30
..
s HouL Dl f low . .. .. .1 g g
NO REPLY. . . . . . . . . . . 6g
.
H OLD ETIGHT '' ' . .176
M
O'
I FEEL
FINE . . . . . . . . . . 6
ISH OULD VE
HA
KN O WNB ETT ER..... 116
I w l LL. . . . . . . . . . . . . . .1 79
I'LLCRY
fNSTEAD. . . . .202
.
l'M A LOSER. . . . . . . . .139
.
I'M HAPPY
TO
JUST
DANCE
WITHYOU.. . .102
I'M LOOKING
TH ROUGHYOU......164
l'M so TIRED . . . . . . . . 91
.
PAPERBACK
WRITER. . .206
.
RUNFOR
YOUR
LIFE . . .124
.
SHE
CAME THROUGH
IN
THEBATHROOM
w |N D ow . . . . ... .. . .1 49
NTRODUCTIO
Yqr'veall heard Lennon McCartney, songwrit-
of
and
the
but
-
and
irElQl1o, whataboutLennon Harrisbn thebuitar
frrc?Well,that's what youaregoingto discover fUe
ii
trATLff, guitar book.
Thisbookis a special
work containing selection
a
of
Beafles'
guitar.lt is de-
funesarranged
exclusively the
for
provide accurate intothe le-ad rhythm
sigredto
an
look
and
gl$tr sWles George
of
Harrison JohnLennon.
and
fithough the arrangements this bookarewritten to
in
ernbody essence style of the guitar worksof
the
and
lsrnon andHarrison, arrangement not just a tran-
the
is
scriqtion the guitars
of
right off the record.
Rather, uses
it
Clof the musicalelements: drums,
bass,
keyboards gui-
ind
bs, tlust the Beatles them,but allincorporated
m
used
into
mgu'rtarso that youcanplay arrangement or in
the
alone
a krd.
Thebookisdivided
into threesections:
1. M el o d i Li cks a tS i gn a tu reS o n g
c
Th
a
2. RhVthmic
Licks
ThatSignature Song
a
3. Rhvthmic Melodic
and
Licks
ThatSignature Song
a
Thissectionincludes
songs
that are most characterized the useof a melodicsignature
by
theme. songslilKe
DavTripper,
TicketToRide,
Julia,or Lucvh Theskv with Diamonds.
This
does mean
not
guitarin the song, ratherthat their
that vouhave
onlythe leador bass
but
importance the driving
is
forcebehindthe tune.Therhythmguitarcom-ptiments bass
the
and
leadlicks thiscase.
in
sEcTtoN
1
This
section
contains
songs
whosesignature the rhythmguitar. other words,Lennon,s
is
In
prominence
rhythmguitartakes
guitarancl
overHarrison's
Mccartney's or keyboards.
bass
Again, mayhave
someguitaror bass
licks, thevtakea back
vou
but
seatto the rhvthmguitar.
Th is
sect i onsa lso mp o rt ana n du n iq u e t h a t it a ff o r d s g uit ar la ve t he ch an ceo l ear n
i
i
t
in
p
r
a
t
how to plavrhythmguitar patternswhich incorporate
percussive
qualities
that anv good
rh y t h mgui t ari st u l d n o w .L e n n o n a sa b r ill ia n r h vt hmgu ita r ist n d V ou ' il netitOv
sho k
w
t
a
oe
learning
thesetunes arranged.
as
sEcTroN
2
This
section
contains
songs
whose
signature both melodic
is
andrhvthmic.
Let's
faceit, most
s on gs Vt he Be a t l esrea me s h i n go g e t h e r f m e lo d ic n dr h vt hm ic lem e nt s.en n on, ar r i -
b
a
t
o
a
e
L
H
son,and Mccartnev not operatein separate
did
litfle compartments
knownas rhythm,lead
guitar, rathermerged
andbass
but
theirfunctions
together. thissection seehow mostof
tn
we
theirsongs a f inebalance
are
between
rhvthmic
andmelodic
essence.
Sometimes Lennon,s
it,s
effective
rhvthmguitarbehindthe verse
and chorus,
followedby Harrison
btending a nice
in
soloand bridgethat goesbackinto the strongrhythmicverse
section, Lennon
or
tradingoff
with MccartneV's or Harrison's
bass
smaller sections.
lick
lt'sallput togetherfor you in THE
guitar
BEATLES: book.
please
ln addition,
note that the guitarpart is written in guitartablature accommodate
to
m us i ci a ns rea dmu si ca sw el l a s h o s e o d o n o t .
who
,
t
wh
Forthosewho do not read,
Voucanfollowthe tablature
numbers,
strums,
accents, pick-
and
patterns,
ing
whichyou'lllearnhow to useon the instruction
pagefor tablature
(see
page5).
Forthosewho readmusic,
Voucanfollowallof the above,
as.well the addedmusical
as
ele-
mentsthat areinctuded the tablature
in
line.
Allchordchanges shownby the chordframes
are
abovethe voiceline.Thevoicelinegives
you the lyrics,
melody
andwhichkevthe songisin.
sEcTtoN
3

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