Skin Deep - June 2016.pdf

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THE UK'S BEST SELLING TATTOO MAGAZINE
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JOE CAPOBIANCO
LIVE AT TRIPLESIX!
EXCLUSIVE!
LEAH JUNG
TATTOOS AND
UKULELES
DOTWORK
EXPLAINED
WITH FADE FX
PLUS
TATTOO LONDON (II)
LAURIE LIPTON
LAL HARDY FLASHBACK
DEATH & THE MAIDEN
ART IS ANARCHY
SECRET DIARY
OF A TALL GIRL
PAULA CASTLE HITS
THE ROAD
THE DARKER HALF OF TRAD
13 PAGE
SUPPLEMENT
OF HOT
PORTFOLIOS
ISSUE 263 • JUNE 2016 • £3.95
MODEL:
MELANIE IVY
PHOTOGRAPH:
SCOTT COLE
SATURDAY NIGHT
& SUNDAY MORNING
A
SELLING THE DRAMA
serious observation this month:
A couple of weeks ago I was out in
Warsaw to check out a show that
had just launched. I was also invit-
ed to do a spot of judging along the way which
is always welcome—you should never say no
to an opportunity to see fresh tattoos paraded
in front of your face by the dozen… it’s totally
di erent to ‘screen-work’ that’s for sure.
At the end of the weekend, with all judging
done and dusted, there was a ‘development’.
One of the artists who had submitted his
piece to be judged had missed his number
being called out and was struck out as a ‘no-
show’. As we had wrapped everything up,
handed awards out and drained the dregs of
the co ee, there wasn’t a whole lot that could
be done about it, but the artist was insistent
that something
should
be done about it.
Being as we (that would be co-judge Alex
Rattray and myself, everybody else had been
fired from a cannon to the bar) were do-
ing nothing other than hanging around and
shooting the breeze, we figured the least we
could do was take a look—particularly as the
guy was giving the organisational sta such a
hard time over it.
So we looked.
Nice tattoo. So now what?
Further demands surfaced. He had spent
all day on the piece, had worked hard on it,
had travelled many miles to be there (from
Estonia perhaps, I forget now) and finally,
that we should reconvene the judging pan-
el and do it all over again—this time with
him included.
While we explained that we could tell him
as much as we told any other artist about his
entry (ie: nothing at all), it was also impos-
sible to do what he was demanding because
the show was actually done, dusted and many
people (including Elvis) had left the building.
Still. Not. Enough.
Anyway, outside of this little soap opera
was the guy who had been tattooed. Stand-
ing back from the drama, with his tattooed
leg sticking out in front of him so his artist
could point at di erent 'amazing parts of it',
Emilie B, l'imaginarium
EVENTUALLY, THE ARTIST WOULD GET
OVER IT, BUT THE OTHER GUY? HE WAS
GOING TO HAVE TO CARRY THE DRAMA
AROUND FOR A LONG TIME
I watched his face change like all the seasons
of the year happening at once. Already bust-
ed from a full day on the couch, you could see
the pride in his own tattoo start to disappear
very, very quickly.
I took the artist to one side and explained
what was happening—he may have spent all
day working and it was unfortunate not to get
judged with the others but the only thing that
was happening now was his client was begin-
ning to hate his tattoo.
Eventually, the artist would get over it, but
the other guy? He was going to have to carry
the drama around with him for a long time.
End result? A perfectly good tattoo spoiled
by ego.
Great work is always welcome in all of our
worlds, of course it is, but if we ever forget
who actually owns that piece of work when
the shouting’s over and the fat lady is on the
bus, we’ll have lost the only thing that was
ever worth shouting about.
S KI N D E E P MAG A ZIN E •
3
SION SMITH • EDITOR
editor@skindeep.co.uk
skindeepmag
@skindeep_uk
CONTENTS
32
14
24
14 SECRET DIARY OF A TALL GIRL
When we heard Paula Castle was
hitting the road to work as much as
she could at as many varied studios as
she could find, it triggered that thing
inside our heads that goes ‘Hey, we
could make a good feature out of that’.
So, without much further fanfare, we
unleash the hounds.
20 CONNECTING THE DOTS
Many may regard dotwork tattooing as
the new kid on the block but in truth the
style has been developing for some time
and its heritage dates back millennia.
Fade FX explains.
24 LAURIE LIPTON
Lipton’s intense and wickedly wry
work has been haunting galleries and
EDITOR
Sion Smith
editor@skindeep.co.uk
07841 999334
DESIGN
David Gamble
davidgamble@mac.com
SUBSCRIPTIONS & BACK ISSUES
Katy Cuffin
magazines@jazzpublishing.co.uk
01244 881888
PRODUCTION MANAGER
Justine Hart
production@skindeep.co.uk
01244 881888
62
disturbing o ce spaces for over 30
years. It’s also been the inspiration
behind more than a few tattoos…
32 JOE CAPOBIANCO
Last month, Joe Capobianco pulled
up a chair at Triplesix Studios for a
guest spot. We figured he couldn’t be
working for the entire 24 hours there
are in a day, so occasionally chose to
fire some fully loaded questions at
him along the way. Brace yourself…
Joe had so much to say, we actually
only got through a couple of them.
C’est la vie.
62 LAL HARDY
Open until May 8th 2016, the exhibition
‘Tattoo London’–at the Museum of
London–aims to show the vitality of the
ADVERTISING MANAGER
Mark McCarthy
mark@jazzpublishing.co.uk
01244 886002
DIGITAL CONTENT
Gareth Williams
gareth.williams@jazzpublishing.co.uk
01244 881888
TECHNICAL DIRECTOR
David Arthur
david.arthur@jazzpublishing.co.uk
01244 881888
76
tattoo scene in the contemporary life
of Londoners. This issue, we talk to the
icon that is Lal Hardy.
70 BEHIND THE INK
Hipsters. They took our beards and
our lumberjack shirts and now they
want our tattoos. There seems to be a
lot of Victoriana lady face and bearded
fop tattoos of late, but is it just a
fad? Wayne Simmons meets three of
traditional’s finest to find out.
76 ART IS ANARCHY
There’s nothing more exhilarating than
creating art. Well, we think so anyway.
We sent Beccy Rimmer o to interview
two artists that have anarchy,
individuality and determination at the
heart of what they do.
EVENTS DIRECTOR
Shelley Bond
shelley@jazzevents.co.uk
01244 881888
DEPUTY PUBLISHER
Fergus McShane
fergus@jazzpublishing.co.uk
01244 881888
MANAGING DIRECTOR
Stuart Mears
stuart@jazzpublishing.co.uk
01244 881888
DISTRIBUTION
Susan Saunders
susan.saunders@seymour.co.uk
0207 429 4073
ISSN 0966-4351
Can’t find Skin Deep magazine
in your newsagent?
Please contact our
distribution company for your nearest
outlet 0207 429 4073
Printed by
William Gibbons & Sons Ltd
08 SLEEVE NOTES
96 AN EYE IS UPON YOU
98 WHEN WORLDS COLLIDE
THIS ISSUE'S
CONTRIBUTORS
Pascal Bagot
Matt Haddon-Reichardt
Paula Hardy-Kangelos
Barbara Pavone
Beccy Rimmer
Wayne Simmons
COVER PHOTO
Scott Cole
THE USUAL SUSPECTS
ACCOUNTS & ADMIN MANAGER
Emma McCrindle
accounts@jazzpublishing.co.uk
01244 886009
ADMINISTRATION
Jan Schofield
jan@jazzpublishing.co.uk
01244 886019
Sam Wade
samantha@jazzevents.co.uk
01244 881888
CREDIT CONTROL
Pam Coleman
pam@jazzpublishing.co.uk
01244 886012
Jazz Publishing The Old School, Higher Kinnerton, Chester CH4 9AJ Tel: 01244 881888 Fax: 01244 646016 www.jazzpublishing.co.uk info@jazzpublishing.co.uk
The views expressed in this magazine by the contributors are not necessarily those of the publishers. All articles are written in good faith and are based on information provided by owners. Whilst every effort has been made to ensure the accuracy of all material, the contributors, magazine and the
publishers cannot accept liability for loss resulting from error, mis-statement, inaccuracy, or omission contained herein. Reproduction of any matter printed or depicted in Skin Deep magazine is prohibited without prior permission. Some words, names, and designations are trademarked and are the
property of the trademark holder and have only been used for identification purposes only.
S KI N D E E P M AG A ZIN E •
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