A Jazz Performer-s Guide to Selected Genres of Venezuelan Folk Mu.pdf

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University of Miami
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Open Access Dissertations
Electronic Theses and Dissertations
2013-04-30
A Jazz Performer’s Guide to Selected Genres of
Venezuelan Folk Music
Pablo A. Gil
University of Miami,
gilpablo@hotmail.com
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Recommended Citation
Gil, Pablo A., "A Jazz Performer’s Guide to Selected Genres of Venezuelan Folk Music" (2013).
Open Access Dissertations.
Paper 1015.
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UNIVERSITY OF MIAMI
A JAZZ PERFORMER’S GUIDE TO SELECTED GENRES OF VENEZUELAN
FOLK MUSIC
By
Pablo Alberto Gil Rodulfo
A DOCTORAL ESSAY
Submitted to the Faculty
of the University of Miami
in partial fulfillment of the requirements for
the degree of Doctor of Musical Arts
Coral Gables, Florida
May 2013
©2013
Pablo Alberto Gil Rodulfo
All Rights Reserved
UNIVERSITY OF MIAMI
A doctoral essay submitted in partial fulfillment of
the requirements for the degree of
Doctor of Musical Arts
A JAZZ PERFORMER’S GUIDE TO SELECTED GENRES OF VENEZUELAN
FOLK MUSIC
Pablo Alberto Gil Rodulfo
Approved:
________________
Gary Keller, M.M.
Lecturer of Studio Music and Jazz
________________
Gary Lindsey, M.M.
Professor of Studio Music and Jazz
________________
Reynaldo Sanchez, M.M.
Associate Professor of Music Media & Industry
_________________
M. Brian Blake, Ph.D.
Dean of the Graduate School
_________________
Martin Bejerano, M.M.
Assistant Professor of Studio
Music and Jazz
GIL RODULFO, PABLO ALBERTO
(D.M.A., Jazz Performance)
A Jazz Performer’s Guide to Selected Genres of Venezuelan Folk Music
(May 2013)
Abstract of a doctoral essay at the University of Miami.
Doctoral essay supervised by Professor Gary Keller.
One hundred thirty-eight pages. (138)
A jazz performer’s guide to selected genres of Venezuelan folk music was edited,
providing a repertoire as well as performance guidelines. Selection of genres and
repertoire was guided by a combination of suggestions from an expert panel and a review
of related literature. Featured genres were
gaita, joropo
and Venezuelan
merengue.
The
information provided in lead sheets and performance guidelines was based primarily on
the transcription and analysis of selected repertoire. To avoid using copyrighted material,
contrafact melodies were composed on the harmonic sequences of selected compositions,
based on stylistic elements observed in the transcription process. Performance guidelines
were directed to piano, bass and drum instrumentalists, and they are intended for
musicians who have a basic understanding of jazz harmony, but are not familiar with
traditional Venezuelan genres. A bibliography with books, articles and recordings is
provided. Appendices include the full transcriptions of musical examples as well as
information on the work of the expert panel.

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