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MADONNA
SPECIAL EDITION
132-PAGE
COLL
ECTORS
ISSUE
CLASSIC POP
PRESENTS
MADONNA
PRICE £6.99
THE GIRL
WHO CHANGED
THE FACE OF POP
05
05
9 772399 751009
MADONNA THROUGH THE DECADES... IN MUSIC, FILMS & FASHION
9 772399 751009
© Getty Images
WELCOME
THE VERY FIRST 7” I EVER BOUGHT WAS
MADONNA’S
HOLIDAY.
WELL, IN TRUTH MY
OLDER BROTHER AND I WENT HALVES ON
IT WITH OUR POCKET MONEY. NEEDLESS
TO SAY WE PLAYED IT TO DEATH, BUT I HAD
A LOVELY REALISATION THIS MORNING
05
WHILE TRYING TO FIND IT FOR THIS
PHOTO, AND IT WAS
t isn’t just vinyl that has
THIS: UNLIKE THOSE
managed to stay the course.
OTHER NOSTALGIC
Sorting through that prized
stack of singles from my youth,
ARTEFACTS OF MY
it’s obvious that the overwhelming
EARLY YOUTH – BOXY
majority of artists have long since
TV SETS, WALKMANS,
dropped out of earshot. Madonna,
on the other hand, is still very
BOOMBOXES,
much here well over 30 years after
VHS PLAYERS, MY
my brother and I first timidly set
COMMODORE 64 –
foot in that record shop. Even the
record shop’s gone…
VINYL HASN’T DATED
It isn’t simply that Madonna
ONE IOTA. IT’S GOING
Ciccone has managed to last
it out: it’s the fact that she’s still
FROM STRENGTH TO
thriving, still successfully re-
STRENGTH; THAT’S A
inventing herself time and time
TRULY MARVELLOUS
again to remain within spitting
distance of pop’s frontline. Not
THOUGHT. SADLY
only that, but she’s also still
FOR ME, IT SEEMS MY
shining a light on a cast of talent,
BROTHER NABBED THAT
oftentimes plucked out of the
underground, to help her break
CHERISHED
HOLIDAY
7”
any pop boundaries left unbroken.
FOR HIMSELF, SO I’VE
Yet – as is often the case with
HAD TO SETTLE FOR
Madonna – it doesn’t end there.
BORDERLINE,
BUT THAT’S
In the Eighties, she was the
strong female voice leading the
NO BAD THING…
charge for personal expression
I
took on female rights as well as
rallying to open minds and fight
censorship. In the Noughties, she
gained serious and well-deserved
credibility with one of the finest,
and coolest, albums of her career.
To this day, Madonna remains
intent on questioning the ethics
of a headline-hungry press that
never leave her be. Her new
quest? To take on ageism in its
many forms and convince all of
us – but particularly women – that
we’re not just invisible because of
a number. She was MTV’s Artist
Of The Decade at the close of the
Eighties and last year became
Billboard’s
Woman Of The Year.
In this special edition, we
celebrate the many factors that
have come together to create
such an incredible human
being, from her music, videos,
films and fashion through to her
entrepreneurial know-how and
unflinching humanitarian work.
Enjoy the issue…
Rik Flynn
Editor
through sexuality, fashion and
independence. In the Nineties,
the potent erotica of her
Sex
book unashamedly empowered
women still further, while she
T H E
C O N T R I B U T O R S
Mark Lindores
grew up during
the golden age
of pop mags,
devouring
Smash Hits
and
Number One.
Writing about
the artists he used to read about
for
Classic Pop, Total Film
and
Mixmag,
he is living the dream
of his 15-year-old self.
Ian Wade
is a freelance
writer, sub-editor
and PR who
achieved a
lifetime ambition
to write for
Smash Hits
in 1998
and has since worked for
The
Quietus, The Guardian, The
Sunday Times, BBC Music
and
Time Out.
Paul Lester
has been both
Features Editor
of
Melody
Maker
and
Deputy Editor
of
Uncut.
Since 2007 he has
freelanced for
The Guardian,
The Sunday Times, The
Independent, MOJO, Classic
Rock
and
Classic Pop.
John Earls
edited Teletext’s
music pages
Planet Sound
throughout the
Noughties, he
has also done pop for
The
Sunday People, News Of The
World
and, currently,
NME
and the
Daily Star.
John also
lectures in journalism.
3
Cover image
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Rik Flynn
ART EDITOR
John Thackray
EDITOR
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84
D E C A D E S
EARLY 1980S: STARLIGHT,
STAR BRIGHT
8
Wannabe dancer turned punk-rock drummer
immersed in the New York underground to
global pop supernova – somehow Madonna’s
unflinching desire to succeed took her from
making ends meet in a low-rent bedsit to the
world stage and Live Aid
LATE 1980S: CALL MY NAME
26
A new album through which to express her
state of newlywed bliss, followed by a very
public breakdown, led to Madonna’s pop
masterstroke and universal acclaim
1990S: STRIKE A POSE
44
It’s the decade that gave birth – with the
help of Jean-Paul Gaultier – to Madonna the
icon, not forgetting a newfound faith and a
collaboration bound for the stratosphere
2000S: HEY, MR DJ
64
A new era for the Queen of Pop in which
she took her pop sensibilities into the clubs
via two hip producers from both sides of
the Channel, married a film producer with a
penchant for gangsters, snogged her younger
rivals, toured the world and made the
biggest-selling single of her career…
2010S: BITCH I’M MADONNA 84
A return to the director’s chair for a big-
budget biopic, a clothing line, a chain of
gyms, two brand new albums, an all-singing,
all-dancing Super Bowl performance watched
by more people than anything else in history,
and a whole lot of lawsuits…
regina.erak@globalworks.co.uk
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that the factual content of
Classic Pop
magazine is correct,
we cannot take any responsibility nor be held accountable
for any factual errors printed. No part of this publication
may be reproduced, stored in a retrieval system or resold
without prior consent of Anthem Publishing Ltd.
Classic Pop
recognises all copyrights contained within the issue. Where
possible, we acknowledge the copyright holder.
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26
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122
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CONTENTS
102
COLLABORATIONS
PRINCE
24
A did-they-didn’t-they romance, their lone
musical outing and more: we explore the
on-off relationship between two of the
biggest stars the world has seen
STEPHEN BRAY
42
From Detroit pal and NYC bandmate to
songwriting and production duties, Bray
played a major role in the story of Madonna
WILLIAM ORBIT
62
With Madonna’s spiritual reinvention and
Orbit’s techno know-how, this partnership
created perhaps her finest moment
STUART PRICE
82
Up until meeting Madonna, Price had played
and produced his own material in Les
Rythmes Digitales and Zoot Woman, but
together – in a London loft – they created a
club hit like no other
MIRWAIS
100
When Ms Ciccone turned to Gallic electroclash
producer Mirwais, the dancefloor most
certainly beckoned with one of the star’s
most creative No. 1 singles
F E AT U R E S
POP ART
6
The performer’s iconic album sleeve art, from
her eponymous Eighties debut to her latest
offering, 2015’s
Rebel Heart
MADONNA ON STAGE
102
Artistic, fashion-savvy and expertly
choreographed, Madonna’s tours consistently
break records she set herself – no wonder
she signed with concert giant Live Nation…
MADONNA ON FILM
108
From Golden Globes to box office bombs,
Madonna’s films always divide the critics
MADONNA ON VIDEO
116
Built to shock and magnetise in equal measure,
Madonna is a true master of the medium
DRESS YOU UP
122
We explore the mother of re-invention and
examine her ever-changing image
IN HER OWN WORDS
128
Outspoken and brutally honest – we pick out
some of Madonna’s finest quotes
CLASSIC POP MOMENTS
130
Billboard’s
Woman Of The Year 2016 faces
ageism head-on…
5
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